![]() ![]() Original melodyĪudio playback is not supported in your browser. This is the earliest manuscript that exists and the only one in Mohr's handwriting. It states that Mohr wrote the words in 1816 when he was assigned to a pilgrim church in Mariapfarr, Austria, and shows that the music was composed by Gruber in 1818. However, a manuscript was discovered in 1995 in Mohr's handwriting and dated by researchers as c. Over the years, because the original manuscript had been lost, Mohr's name was forgotten and although Gruber was known to be the composer, many people assumed the melody was composed by a famous composer, and it was variously attributed to Haydn, Mozart, or Beethoven. During this period, the melody changed slightly to become the version that is commonly played today. By the 1840s the song was well known in Lower Saxony and was reported to be a favourite of Frederick William IV of Prussia. The Rainers were already singing it around Christmas 1819, and they once performed it for an audience that included Franz I of Austria and Alexander I of Russia, as well as making the first performance of the song in the U.S., in New York City in 1839. From there, two travelling families of folk singers, the Strassers and the Rainers, included the tune in their shows. Īccording to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamoured of the song, and took the composition home with him to the Zillertal. ![]() It is unknown what inspired Mohr to write the lyrics, or what prompted him to create a new carol. The church was eventually destroyed by repeated flooding and replaced with the Silent-Night-Chapel. On Christmas Eve 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf, now part of Lamprechtshausen. In the aftermath of the Napoleonic Wars, he had written the poem " Stille Nacht" in 1816 at Mariapfarr, the hometown of his father in the Salzburg Lungau region, where Joseph had worked as an assistant priest. A young Catholic priest, Father Joseph Mohr, had come to Oberndorf the year before. While very different in its approach and artwork from Granfield's treatment of the subject, Hodges's Silent Night is more versatile and is a better bet for library purchase.Ĭopyright 1997 Reed Business Information, Inc." Stille Nacht" was first performed on Christmas Eve 1818 at St Nicholas parish church in Oberndorf, a village in the Austrian Empire on the Salzach river in present-day Austria. Glowing shades of gold and brown accentuate faces lifted in harmony, creating feelings of warmth, wonder, and contentment. Full-page watercolor illustrations capture quaint mountain village scenes. Hodges includes stories about wartime enemies who forgot their hatred and joined together, sometimes across enemy lines, to share a few verses of the song. With its creators all but forgotten, "Silent Night" eventually became an international favorite. Franz Gruber, a local schoolmaster, wrote a simple tune to accompany the words. In compelling prose, Hodges recounts the young priest's struggle to write a poem that would bring the beauty of the Christ Child's humble, but sacred birth night to a congregation that expected to celebrate with music. On Christmas Eve in 1818, in a small Austrian town, Father Mohr's church organ broke down. Grade 1-3?This account of the beloved carol's history pays tribute to its creators and to the song itself.
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